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Art direction, graphic design, and brand development by studio PaperView for Dirty Laundry.PaperView is a branding and design studio that produces visually distinctive work for regional and international clients. From their offices in the two most vibrant cities in the region (Beirut and Dubai), their specialized creatives and planners have given birth to some of the most renowned identities in the market today. Their creative team as recently asked to produce a distinctive visual identity for a bar named 'Dirty Laundry'. Read more below. Dirty Laundry, kitchen and bar, seals within its dirty secrets. The hidden elements provoke mysteriousness. The brand identity gradually reveals itself. It slowly unfolds through the guests' interaction with different brand elements. The bar uses symbols of different origins in a midcentury modern style. The dark background and foil details convey a modern and sophisticated look. The result is a brand identity with a new approach. It has been achieved through new materials and intriguing visuals. See more below or have a look at PaperViews website. All images © by studio PaperView. Do not hesitate to find other inspiring projects in our Graphic Design and Branding categories. The post Dirty Laundry Branding by PaperView appeared first on WE AND THE COLOR. “The Lembeh Foundation is accepting donations for the victims of the earthquake in Palu, Central Sulawesi. An aircraft from the Indonesian airforce will deliver everything that we can collect to Palu on Saturday 06 October. The funds will be collected with a credit-card form and will go directly Lembeh Foundations non-profit account. This means that no taxes or fees will be deducted, 100% of your donation will go to the families in need. Lembeh Foundation will purchase much needed materials and send them. Please contact [email protected] for more details on how to donate.” Donate here. Tagged: earthquake, news, palu Flexible type logos are trending, and for good reason; they're suitable for nearly any media type. Discover how to use InDesign to create your own unique flexible type logos.Flexible logos that shift position and orientation are big news in graphic design right now. Why is this way of creating logos so effective? For one thing, by creating a flexible logo with multiple positions you can adapt the logo to a wide range of media. Have a tall, narrow exhibition banner? A tall logo that fills the space will always look better than a small-scale square logo. Looking to adapt your logo for an app? A flexible logo gives you more freedom in how that logo can be arranged on different screen sizes. As brands need to adapt to both the print and digital spheres, flexible logos also translate incredibly well to both. This logo trend can look fantastic when adapted to animation, for example. Here we'll look at some top tips for creating flexible type logos using Adobe InDesign, from how to choose a core for your logo to how to structure your typography effectively and professionally. 1. How to Begin: Choosing a Typeface for Your LogoYou can use any typeface style to create your flexible logo. Many professional design agencies will use either bespoke or adapted typefaces to ensure their logos are completely unique. However, it's also easy and effective to use a pre-existing font. Step 1You can find great paid-for fonts on font sites like MyFonts, or check out Font Squirrel for free commercially licensed fonts. You can also find a wide range of vector fonts on the Shutterstock library. Sans-serif fonts in heavy weights tend to work well for flexible logo designs, as they're clear, easy-to-read, and have a clean, modern look. But, you could also give a more traditional serif font a contemporary twist by using it in a flexible logo. Step 2Open up InDesign, and go to File > New > Document. You can create your logo design on any page size, but it helps to have plenty of room to play around with. Here, I'm working on a Landscape A3 page. Once you've decided on your page size, click Create. Use the Type Tool (T) to create a text frame on the page, and type up the name of the brand. Copy and Paste the frame a few times, and position each under the previous in a vertical sequence. This will allow you to easily compare fonts. From either the top Controls panel or the Character panel (Window > Type & Tables > Character), set the Font of each text frame to something different. Get experimental and play around with different type styles. You're looking for a font which has the right mood for the brand, but also is clear, legible, and noticeable. Here I'm experimenting, from top to bottom, with Orkney, Gilroy, and Spartan MB. Step 3Narrow your choice to one font. I've decided to use Gilroy, which in the ExtraBold weight has a really pleasing appearance, and looks friendly, modern, and is really easy to read. Its chunkiness will also ensure the logo will stand out when viewed from a distance. 2. How to Create a Core for Your LogoA flexible logo is not a series of different logo designs, but rather a series of variations of the same logo design. Step 1To ensure your logo design has obvious continuity between different versions, a good tip is to choose a core letter for your logo. This is the letter that stays roughly in the same position, while other parts of the logo orbit around it. Identify the letter or pair of letters that can function as a good anchor for your logo designs. This might be the first letter, or last. In this case, I'm going to go for the “U” in “PLUME,” which is at the center of the main brand name. I can reduce the size of “Co.” and use it as an outlying element in the design. Step 2Once you've identified your core, set this letter in its own text frame on a new page. Click on the Create New Page button in the Pages panel [Window > Pages]. 3. How to Use Guides to Structure Your LogoStep 1With the core letter positioned roughly in the center of the page, drag guides out from the rulers (View > Show Rulers) to mark out the vertical and horizontal center points of the letter. Step 2Drag more guides out to mark out the left and right edges of the letter, as well as the top and bottom edges. Step 3Create a new text frame on the page and type in the letters preceding the core letter, in this case “PL.” Apply the same Font, and make the Font Size smaller. Use the horizontal center point guide to position the text centrally next to the core letter. Use guides to mark out the top and bottom edge of the smaller letters. Step 4Select the small letters' text frame and Edit > Copy, Edit > Paste, and move this copy over to the other side of the core letter. Edit the text inside to read the remaining letters in the brand name. Using the guides you've just created, line up this text frame so that it matches the central alignment of the frame on the other side. Step 5If you have any other parts to the brand name, such as “Co.” here, set this in its own text frame and reduce the Font Size even more. Ensure the baseline of the text in this frame matches the baseline of the adjacent text frame. 4. How to Create Alternate Versions of Your LogoWith your base logo design created and your guides set up, you can start to get creative with alternate versions of your logo. Step 1In the Pages panel, Right-Click > Duplicate Spread on the page which contains your base logo design. Working on the copy of the page, experiment with shifting the text frames around the core, moving them into different positions. Your logo design will always look better if you use the guides to scale the text perfectly. For example, here I've moved the “PL” text frame to the top of the core letter, and adjusted the Tracking (letter-spacing) slightly to ensure the edge of the “P” and “L” meet the guides on either side of the “U.” Step 2You can also experiment with rotating text frames to give a different, jaunty look to the logo. On the text frame, Right-Click > Transform > Rotate… to shift the orientation. Step 3Keep duplicating pages, and experimenting with different logo versions. Try creating logos that are more square in shape, and others that are longer or taller. Always use the guides to keep the position of your text frames in check. 5. How to Vectorize Your LogoWhen you've finished a variety of logo designs, you will need to vectorize your logos. This will make them scaleable and easy to use in other designs. Step 1Start with your first logo design. Select all the text frames making up the logo and head up to Type > Create Outlines. You can repeat the process for the other logo designs. You can then either Copy and Paste each vectorized logo into other InDesign documents or other software (such as a vector program like Illustrator) to create more designs. Or you can File > Export your logos as .EPS or .PNG files, ready for using in other designs or uploading to a website or app. Your Finished Flexible LogoWith your logo designs vectorized, you're ready to start incorporating them into other designs. Try experimenting with different color combinations. Or, why not create a simple animation of your designs by creating a GIF? Looking for more logo design inspiration? Check out these articles:
The post How to Create a Flexible Type Logo in Adobe InDesign appeared first on The Shutterstock Blog. Yohann Designer Wooden Stand for Macbook is simple yet stylish, but this is far more than style over substance and will transform the way you use your Mac. The post Yohann Designer Wooden Stand for Macbook review appeared first on Camera Jabber. What is the Blackmagic Pocket Cinema Camera 4K? Blackmagic announced its Pocket Cinema Camera 4K at the NAB show in Las Vegas earlier this year, and the interest it's drawn has been unprecedented. And there's a reason for this. It's a cinema camera that has a lot of crossover appeal. It has advanced features that […] The post Blackmagic Pocket Cinema Camera 4K review: hands-on appeared first on Camera Jabber. We see "from farm to table" documentary photography all the time, but how many of us have thought about "from quarry to city"? In a nutshell, this is what the brilliant set of aerial photographs by Munich-based photographer and designer Tom Hegen seems to tell us about. In The Quarry Series, he shows us what the building blocks of our cities look like from above, revealing the surprising abstract beauty of open pit mining quarries in the process.
Wanderlust photos of California by Chad Latorre, a talented self-taught photographer, retoucher, and adventurer based in Los Angeles. Chad focuses on traveling and landscaping. He shoots insane long exposure landscapes, cityscapes, and lifestyle photography. More info: Instagram The post Dramatic Landscapes of California by Chad Latorre appeared first on Photogrist Photography Magazine. |
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